Years active
Life span
Salon/Salon des Refusés | The Paris Salon was an annual exhibition sponsored by the French government that showed the best academic art. The works had to adhere to accepted conventions, styles, and motifs. In 1863, the works that were rejected from the Salon were showcased in the "Exhibition of Rejects," or Salon des Refusés, and had a great impact on the emergence of the Impressionists.
William-Adolphe Bouguereau, Nymphs and Satyr, 1873, oil on canvas, 100 x 71 in., Clark Art Institute, Williamstown, MA.
Édouard Manet, The Luncheon on the Grass, 1862, oil on canvas, 6.10 x 8.8 in., Musée d'Orsay, Paris.
Salon/Salon des Refusés | The Paris Salon was an annual exhibition sponsored by the French government that showed the best academic art. The works had to adhere to accepted conventions, styles, and motifs. In 1863, the works that were rejected from the Salon were showcased in the "Exhibition of Rejects," or Salon des Refusés, and had a great impact on the emergence of the Impressionists.
Federico de Madrazo y Kuntz, Isabel II de España, 1850, oil on canvas, 87.7 x 57.4 in.
James Abbott McNeill Whistler, Symphony in White, No. 1: The White Girl, 1861-62, oil on canvas, 84.5 in × 42.5 in., National Gallery of Art, Washington, D.C.
19 August 1848
21 February 1894
1830
1840
1850
1860
1870
1880
1890
1900
1910
1920
1930